Christopher Maxwell

Kreativ Media Partners - (310) 907-5735 (Commercial, Theatrical)

Male Black

Black Brown 160lbs 5'9"

M 34" 32" 9.5 38R


Additional

British - Estuary, Cymbal Player

Film

RoleDirectorProduction
C.I.APE   Supporting Dir. Ali Zamani Lionsgate
Run With The Hunted   Supporting Dir. John Swab Lionsgate
Evil Division   Lead Dir. Lindsay Ryan
Lonely Day   Supporting Dir. Tyler Mayleas
She's The Anchor   Supporting Dir. Alexis Cruz
Give Me Your Phone   Lead Dir. Ipek Duman
Professional   Supporting Dir. Tiffany Overholt
The Marks Case   Lead Dir. Peyton Keith
The Seer   Supporting Dir. Matthew Oakley Oakley Entertainment

Television

RoleDirectorProduction
The Chi   Co-Star Dir. Boma Iluma Showtime
A Thousand Tomorrows   Co-Star Dir. Kohl Glass Pureflix
 
 
 

Stage

RoleDirectorProduction
Glorious!   Cosme McMoon Dir. Callie White Radke Fine Arts Theatre
Cinderella's Fella   Sir Tom Dir. Penny McGill Blackwelder Theatre
A Streetcar Named Desire   Pablo Dir. Derek Kenney Jewel Box Theatre
9 to 5: The Musical   Joe Dir. Penny McGill Blackwelder Theatre
 

Commercial

RoleDirectorProduction
(Available Upon Request)  
 
 
 
 

Voiceover

RoleDirectorProduction
The Cowherd & The Weaver Girl   Narrator Denver Museum of Nature & Science
Headspace   Trenson Dir. Elliott Wren
Paradox   Luke (Lead) Dir. Menno Ruis
Race to the Mansion of Tomorrow   Soskoa Spicevipe Productions
Ball World   Billy (Lead) Dir. Morgan Pander
Off the Table   Helium Dir. Roger Ort
Best Friends Adventures   Hepworth Dir. Daniel Blatch

Training

Advanced Acting for Network Television - Brenda Pickelman - Mentoring Artists Chicago, On-Camera Acting - Wes Jetton - The Working Actor Group, Animation Voiceover Intensive - Ned Lott - Lott Productions, Meisner Technique Intensive - Steven Ditmyer - Meisner International, Amy Lyndon Technique Intensive - Amy Lyndon - The Lyndon Technique, Improv (Long & Short Form) - Sue Ellen Reiman - Mitchell Hall Acting Studio, Voice, Speech, & Dialect - Daisy Folsom - Mitchell Hall Acting Studio, Audition Techniques - Emily Heugatter - Mitchell Hall Acting Studio, Character Analysis, Scene, & Script Analysis - Robin Lea Robinson - University of Central Oklahoma, Voice-Over Technique - Jeff Nokes - The Actor Factory, Commercial Acting / Audition Technique - Mike Pointer - Hey, I Saw Your Commercial!, On-Camera Scene Study - David Rountree - LA Acting Studios, Theatre / Improv Technique - Kristina St. Clair - University of Central Oklahoma, Voice - Gabrielyn Watson - Private Training  
 

Other Special Skills

British - Estuary, Cymbal Player 
 

Special Skills

ACTING GENRES, STYLES AND TECHNIQUES

Style

Sanford Meisner (Intermediate)
 

Athletic

General

BOWLING (Intermediate), FISHING (Intermediate), JOGGING (Intermediate), JUMP ROPE (Intermediate)
 

Improvisation and Comedy

Improvisation & Comedic Performance

IMPROV, GENERAL (Advanced), LONG FORM (Advanced), SHORT FORM (Advanced)
 

Languages and Accents/Dialects

Accents/Dialects

BRITISH (Advanced), NEW YORK / BRONX (Intermediate), NEW YORK / BROOKLYN (Intermediate), SOUTHERN (Advanced)
 

Other

Horse Riding

HORSEBACK RIDING, GENERAL (Intermediate)
 

Licenses

CLASS D (Advanced)
 

Miscellaneous

HOSTING (Advanced), PUPPETRY (Intermediate)
 

Performance

Singing

RAP (Intermediate)
 

Vocal Range

BARITONE (Advanced), BASS (Advanced), TENOR (Advanced)
 

Possessions